Tag: Desi Arnaz

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Favorite Classic Movies (Pre-1980) Favorite Classic Television I Love Lucy in the Movies

I Love Lucy in the Movies: Ladies in Retirement (1941)

For this installment of “I Love Lucy in the Movies,” I’m covering Ladies in Retirement (1941) which I watched last night. This is a very good gothic film noir starring Ida Lupino. Also starring in this film was Elsa Lanchester as one of Lupino’s mentally ill sisters. Aside from this film, another thing Lupino and Lanchester have in common is that they both appeared in I Love Lucy. Lupino, to be accurate, actually played herself in an episode of The Lucy-Desi Comedy Hour. I’m counting it because The Lucy-Desi Comedy Hour is more or less a one-hour episode of I Love Lucy.

In 1956, after six years and 180 30-minute episodes, Desilu president and I Love Lucy star, Desi Arnaz, was eager to leave the hectic pace of producing a new episode every week. He had tried to end the series a year prior with “Return Home From Europe” being the final episode, but CBS threw money at him and Lucy to convince them to stay on another year. The ending dialogue in “Return Home From Europe” sounds like it was written to be a series finale. To convince CBS to allow him to pull the plug on I Love Lucy, Desi convinced them to allow him to air I Love Lucy as a 60-minute special sporadically throughout the year. CBS agreed and The Lucy-Desi Comedy Hour was born.

The Lucy-Desi Comedy Hour, while more or less an hour long episode of I Love Lucy, it did have the minor difference in that each episode featured a celebrity who has an unfortunate encounter with Lucy. Logically, it makes sense, as Ricky Ricardo’s celebrity and ownership of Club Babalu makes it logical that he’d either hire these celebrities at his club, or he’d met them previously because of his time in Hollywood.

Ida Lupino and Elsa Lanchester appeared together in 1941’s Ladies in Retirement. In this film, Lupino plays Ellen, the spinster sister of her two mentally ill sisters, Emily and Louisa. Lanchester played Emily. In the film, Ellen receives a letter from the boarding house in London where her sisters are living. The letter informs her that Emily and Louisa are being evicted from the home due to their behavior. Not wanting her sisters to be institutionalized, Ellen brings them to the home on the English moors where she works and lives. Ellen’s employer, Miss Fiske, graciously allows the two sisters to stay in her home, but quickly grows tired of their behavior. Eventually Miss Fiske gives Ellen the ultimatum that the sisters need to leave. Ellen tries to defend her sisters, but insults Miss Fiske in the process, and is fired. Later, taking matters into her own hands, Ellen strangles Miss Fiske to death. She makes it look as if Miss Fiske decided to take an extended trip. Ellen tells her sisters that she purchased the home for them. Eventually Miss Fiske’s absence and Ellen’s behavior arouses the suspicions of her nephew and the maid, Lucy.

Ida Lupino (center) and Elsa Lanchester (right) in “Ladies in Retirement”

The film never makes it clear what mental illness is that that the two sisters have, nor is there any indication that an event may have triggered or caused their mental illness. It is also unclear whether Emily and Louisa are actually mentally ill, or whether they are just eccentric. Elsa Lanchester excelled at playing these slightly off-kilter personalities.

Lanchester made her appearance on I Love Lucy first, playing “Mrs. Grundy” in a season 5 episode, “Off to Florida.” In the episode, Ricky is playing with his band at the Eden Roc Hotel in Miami, Florida. Ricky, Fred, and Little Ricky go ahead to get some fishing in before Ricky has to work. Lucy and Ethel plan to take the train and meet the men down there. However, Lucy has lost the train tickets. To save face, she decides that she and Ethel will answer a “Share a Ride” classified ad to split the travel costs with another traveler who is also headed from New York City to Miami. Mrs. Grundy answers the ad.

Vivian Vance, Lucille Ball, and Elsa Lanchester in “I Love Lucy.”

Lucy and Ethel find Mrs. Grundy’s behavior odd. She prefers to travel at night or early in the morning. She won’t stop for meals, preferring to subsist on watercress sandwiches instead. Later, Mrs. Grundy gets a flat tire and expects Lucy and Ethel to change it while she naps. While looking for tools, Lucy and Ethel find a hatchet in the trunk. Thanks to a convenient radio bulletin about gray-haired escaped hatchet murderess, Evelyn Holmby, Lucy and Ethel jump to the conclusion that this must be Mrs. Grundy. Her weird eccentricities all make sense for a woman on the lam. Later, Lucy and Ethel are asleep while Mrs. Grundy is at the wheel. She also hears a radio bulletin about Evelyn Holmby, except this bulletin has more information. Mrs. Holmby, despite being gray haired, is thought to have dyed her hair red, and is also thought to be traveling with a blond companion. Comedy ensues with Lucy and Ethel suspecting Mrs. Grundy and Mrs. Grundy suspecting them.

This is the funniest episode of the Florida trilogy, with much of the humor coming from Elsa Lanchester. Her sing-songy line delivery, and her delightful eccentricity makes the episode.

Flash forward 3 years to the 10th installment of The Lucy-Desi Comedy Hour, “Lucy’s Summer Vacation.” There would be 13 total. Celebrity couple Ida Lupino and Howard Duff are the guest stars, playing themselves. In the episode, a mutual friend of Ricky’s and the Lupino/Duff’s double books his cabin on the lake–promising it to both of them. Both couples go to the cabin expecting a romantic week with their partner. However, when they all meet, Ricky and Howard hit it off over their mutual love of fishing and see it has an opportunity to fish, since their wives can talk to each other. The men end up spending the entire week fishing, with the women getting stuck cleaning the fish. Towards the end of the week, the women are desperate for some romantic time with their husbands and decide to sabotage the fishing expedition. The joke is on them however, when the husbands decide to throw their wives a bone and plan a romantic evening on the lake. Too bad Lucy and Ida have already sabotaged the boat.

From left to right: Ida Lupino, Desi Arnaz, Lucille Ball, and Howard Duff (hunched over) in “The Lucy-Desi Comedy Hour.”

This episode has some funny moments. Lucy and Ida trying to discreetly plug the holes in the boat (that they put there earlier) with gum and their bodies while also trying to be romantic is pretty funny. There are some good lines. However, on a whole this isn’t one of the better hour long episodes, though it’s not the worst one (I’d give that one to the Milton Berle episode). Often in these hour long episodes, the Mertzes are kept on the sidelines during the celebrity scenes. If there’s a female celebrity, she’s often given the role that we would expect for Ethel. In this episode, Ida is definitely in the Ethel Mertz part. In the Betty Grable episode, Lucy even calls her “an Ethel Mertz with money.” The Mertzes are barely in “Lucy’s Summer Vacation.” I believe they only appear at the beginning to pick up Little Ricky to explain why he’s not in the rest of the episode.

By this point in the series, Lucy and Desi’s marriage was so strained, that they were barely speaking. The tension and stress in their marriage comes through in the last episodes of The Lucy-Desi Comedy Hour, and it makes these episodes less enjoyable to watch. Each episode of The Lucy-Desi Comedy Hour is worth watching, but they are not the same as I Love Lucy. Lucy and Desi would divorce only a year after “Lucy’s Summer Vacation” aired. For what it’s worth, Ida Lupino and Howard Duff would divorce in 1984 after 33 years of marriage.

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classic film Favorite Classic Television I Love Lucy in the Movies

“I Love Lucy” 75th Anniversary & “I Love Lucy” in the Movies

Today, October 15, 2026 marks the 75th anniversary my favorite show of all time–I Love Lucy. Aside from being my favorite show, and I’m sure a lot of people’s favorite show, I Love Lucy is also iconic and groundbreaking, establishing many of the sitcom production techniques still in use today. On Monday, October 15, 1951, the episode “The Girls Go into Business” aired at 9pm and introduced the nation to the exploits of the Ricardos and Mertzes. The episode, “Lucy Thinks Ricky is Trying to Murder Her” was filmed first, but was the fourth episode to air.

For the first episode, the I Love Lucy crew was still working out how they were going to film this show. While there were shows on television at the time of I Love Lucy’s debut in 1951, they were shot on kinescope. Kinescope was essentially the equivalent of someone filming something playing on their television and posting the video on You Tube. Suffice it to say the quality was terrible. CBS was also insistent that Lucille Ball and Desi Arnaz relocate the production to New York City, for the kinescope–simply because more of the country’s population lived on that side of the country. CBS wanted most people to receive the live feed and then the populations living in other regions of the country would receive the kinescope recording.

Lucy and Desi did not want to move to New York, nor did they want their show looking like garbage to part of the population. Desi insisted that the show would be produced in Los Angeles and recorded on 35mm film–just like movies. CBS balked at the higher cost. As a compromise, Desi offered that he and Lucy would take a $1,000/week pay cut to make up the production difference. CBS agreed, thinking that this entire project was just a lark for Lucy and Desi. At the very least, Lucy and Desi figured that if the show failed, they’d have some fun recordings for their kids. Little did they know that 75 years later, their show would still be airing and still being talked about.

I discovered I Love Lucy in 1994 when I was 10. I came across it when flipping channels and I came across Nick at Nite. I was immediately hooked and I Love Lucy and the rest of the Nick at Nite lineup became must-see TV. I also credit I Love Lucy and Lucille Ball with getting me interested in classic film. While I’d seen some classic movies like The Wizard of Oz, thanks to the annual television screenings, I hadn’t see very many old films at all until I discovered I Love Lucy and Lucille Ball. My family used to go to the library about once a month and I was fortunate that my library had a large number of books about I Love Lucy and Lucy. I read every single one. From these books, I learned about Lucy’s film career. My library also just happened to have a large number of volumes from the Lucille Ball Signature Collection on VHS. I borrowed every single one.

From Lucy’s films, I discovered more favorite classic films and stars, such as Ginger Rogers and Katharine Hepburn (Stage Door), Ann Miller (Too Many Girls), and Henry Fonda (The Big Street). At the same time, TCM had just debuted, and we had the channel as part of our cable package. I used to scour the tv guide (not the periodical) that came in the Sunday paper, and look for any of Lucy’s films airing on TCM. I’d then set them up on the VCR to record. I’ve seen almost all her films. There are only a few I haven’t seen yet.

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Iwould like to segue into my new feature I’m going to introduce on my blog–I Love Lucy in the Movies. Lucille Ball loved to surround herself with people she knew and liked from working with them during her film career. As a result, I Love Lucy features not only some big guest stars, but also a lot of great performances by character actors. In my blog feature, I’d like to spotlight the actor I recognized from a classic film and discuss their appearance in an I Love Lucy episode.

For my first installment of I Love Lucy in the Movies, I’m discussing Sheldon Leonard’s appearance in Another Thin Man (1939) which I recently watched on TCM for Myrna Loy’s star of the month.

Sheldon Leonard

In Another Thin Man, Leonard plays Phil Church, an employee of a man named McFay, who is hosting Nick and Nora Charles at his estate. However, McFay has been receiving death threats from Church who has been in prison for 10 years after being used by McFay as the fall guy to take blame for some illegal business activities. Nick visits Church in jail to ask about the death threats. Church tells him about dreams he has about McFay’s murder. He’s had the same dream three times and warns Nick that typically his dream comes true after the third time. Sure enough, McFay turns up dead.

In I Love Lucy, Sheldon Leonard appears in the episode “Sales Resistance” as a door-to-door salesman for the Handy Dandy company. He uses various sales tactics to pressure Lucy into making a purchase, though she tries to resist. He appeals to her ego by telling her fake anecdotes about previous customers who were foolish enough to pass up the great products and deals he was offering. Eventually he convinces Lucy to purchase a new vacuum cleaner, a “deal” that results in her having to buy every component (e.g., vacuum, cord, case, hose, etc.) separately. For $1.50, Leonard’s character throws in “the Kitchen Helper,” the first device he tries selling Lucy. It’s supposed to help the busy housewife with chopping.

In both Another Thin Man and I Love Lucy, Leonard plays a sleazy character. His distinctive New York accent and appearance lent themselves well to the world of unsavory characters. He would later go on to become a prolific producer at Desilu, home of I Love Lucy. Three of Leonard’s biggest shows were The Danny Thomas Show, The Andy Griffith Show, and The Dick Van Dyke Show.

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Favorite Classic Movies (Pre-1980) Favorite Modern Movies (post-1980)

Rain in the Movies

Satsuke and sister Mei take shelter from the rain at a bus stop with Totoro keeping watch in My Neighbor Totoro (1988).

As a native of the Pacific Northwest, Oregon specifically, I have seen my share of rain. In fact, NW Oregon (where I’ve lived my entire life) is in the middle of yet another “atmospheric river” event. Basically, we’re getting rain and a lot of it–at least 3″ between yesterday through tomorrow. Personally, I like the rain. It’s relaxing and makes the outside smell nice. Plus, it makes for excellent movie watching weather. As long as the rain stays out of my basement, I am good.

During the last major rain event, just a couple weeks ago, I watched a bunch of excellent rainy film noir and Clue because I love it and it has rain. That rain marathon and this week’s downpour inspired me to write a post about rain in the movies as well as allows me to highlight some of my favorite movies. Right now, I haven’t returned to watching any rainy films, because I’ve been obsessed with playing Pokopia on Switch 2.

Movies have been using rain since almost the beginning to put forth a certain emotion, add suspense, express a metaphor, or even just to add some atmosphere. A rainstorm is often used as a reason for characters to be forced to stay confined in one space, such as in Key Largo (1948). Rain can be used as a setting for romance, such as the famous kiss in the rain between Audrey Hepburn and George Peppard in Breakfast at Tiffany’s (1961). To add atmosphere, rain will often be included such as in Clue (1985), where the characters are summoned to Mr. Boddy’s mansion during a dark, rainy night, and end up caught up in a murder mystery. In this blog entry, I want to focus on some of my favorite rain scenes in films.

Rain is often used to lend suspense to a scene, and where else would you want a lot of suspense and drama? A scene in which someone is driving. Driving in the rain can already be fairly treacherous. Add in a driver who is nervous, angry, distraught, or any other distracting emotion and it’s almost always a recipe for danger, or at least great melodrama.

BEST DRIVING IN RAIN SCENES

Lana Turner has a meltdown in “The Bad and the Beautiful.”
  1. The Bad and the Beautiful (1952). Lana Turner’s Georgia is distraught after discovering that her boyfriend and producer, Jonathan Shields (Kirk Douglas) has been cheating on her with a starlet. She expresses her indignation over his betrayal and he more or less tells her that he can do whatever he wants. He doesn’t owe her any loyalty, because he gave her stardom. Distraught, Georgia gets into her car and takes off on a high-speed race home, through a pouring rainstorm. Anyone who thinks Lana couldn’t act should watch her performance in this scene. She enters the car sobbing, but soon collapses into pure hysteria as the reality of Jonathan’s betrayal and callousness sets in. Juxtaposed against the frenzy of rain and flashes of lights, Georgia’s emotional collapse reaches its apex when she screams and slams on the brakes.
  2. Dead Reckoning (1947). Humphrey Bogart’s character, Rip Murdock, is investigating the death of his friend, Johnny. During his investigation, he falls in love with Coral Chandler (Lizabeth Scott). Unfortunately, he learns that Coral isn’t all she seems and was involved in his friend’s death. Coral and Rip end up in a car together after she accidentally shoots her accomplice instead of him. While Rip drives through heavy rain, he and Coral argue over her intending to kill him. She then pulls out a gun and he hits the gas pedal to floor it. Anyone who has watched a lot of old movies knows that whenever it’s raining and someone is driving recklessly, something bad is going to happen. In this film, Rip ends up crashing head-on into a tree, mortally injuring Coral.
  3. Psycho (1960). This is a classic and for good reason. In this film, Janet Leigh’s Marion Crane leaves Phoenix and heads to California with $40,000 in stolen money in hand. She wants to marry her boyfriend, Sam (John Gavin), but he refuses to do so due to lack of funds. When Marion’s employer asks her to deliver a $40,000 deposit to the bank, the temptation is too strong to resist. This money would solve all of her and Sam’s financial woes. While she originally plans to drive through the night, a rainstorm forces her to seek refuge at the Bates Motel, operated by the young and nervous Norman Bates (Anthony Perkins). Unfortunately for Marion, this is the end of the line.

Rain can also be used to add romance to the scene, because what is more romantic than a classic kiss in the rain type scene. Rain also seems to bring people together–often because they’re forced to seek shelter and each other for warmth.

FAVORITE ROMANTIC RAIN SCENES

Lucy and Desi kiss and make-up in “The Long Long Trailer.”
  1. The Long, Long Trailer (1954). My favorite film of all time features a romantic, albeit cliched (now) romantic kiss in the rain. Tacy (Lucille Ball) and Nicky (Desi Arnaz) spend the entirety of the film more or less on the honeymoon road trip from hell, with one catastrophe after another. The tension and frustration reaches its end when Nicky discovers that Tacy has not only lied to him, but has also put their lives at risk. The couple needs to drive over a high elevation (8000 feet) peak in Colorado. Because of the steep incline and possibility that extra weight could pull the trailer down (and possibly off) the mountain, Nicky tells Tacy that she needs to get rid of all the extra weight she’s added to the trailer in the form of rocks and preserves. Tacy’s idea was that they could collect large rocks from different places they visit and use them to decorate their patio when they reach their new home in Colorado. As a cost-saving measure (to justify the purchase of the trailer), Tacy stars canning fruits and vegetables.

    Instead of removing the material from the trailer, she instead distributes it evenly around the trailer, thinking it would solve the weight issue. It does not. Everything comes out. Nicky discovers it. The couple fight and separate. In the pouring down rain, Nicky finally tracks down Tacy (and the trailer) at a trailer park where she’s in the middle of planning to sell the trailer. He opens the trailer door, finds Tacy, but can’t bring himself to apologize. Nicky drives away and suddenly Tacy realizes that she doesn’t want him to leave. She runs out into the rain, in front of Nicky’s car. He stops and gets out. Nicky and Tacy embrace, having made up and reconciled. They run up the steps into their home (the trailer) and kiss.
  2. Breakfast at Tiffany’s (1961). While a lot can be said about this film, ::cough:: Mickey Rooney ::cough:: there are some fun parts as well. The ending of ‘Tiffany’s’ is much like the end of The Long, Long Trailer, with Audrey Hepburn’s Holly Golightly and George Peppard’s Paul (or “Fred Baby” as I like to call him) reconciling and kissing in the rain drenched streets of New York City. However, this scene has extra poignancy beyond the classic kiss in the rain. In a previous scene, Holly very cruelly abandons “Cat” her pet, out in the rain, saying that nobody belongs to anyone–even animals. Her whole mantra throughout the film is that she’s a free spirit, she doesn’t belong to (or with anyone). Paul is the only person her circle to actually care about her and want to help her. Everyone else in her orbit is someone she makes money off of (via trips to the powder room), or someone who takes advantage of her naivete (e.g., Sally Tomato providing her with the “weather report” to pass on to one of his associates).

    However, Holly is no better in that she only associates herself with people she believes can do something for her. She’s a phony, her agent says. Paul bitterly tells Holly off by stating that in her efforts to prevent herself from being put into a “cage” she’s put herself into one, because she’s unwilling to share herself or part of her life with anyone. He then gets out of the car, throws the ring (that they’d had engraved at Tiffany’s during their fun day in New York City together) at her. The ring is a symbol of a time where Holly was probably being closer to her true self and not putting on airs. Holly grabs the ring, places it over the ever important (and symbolic) left ring finger and realizes that she (and Cat) belong with Paul. Their kiss in the rain (plus keeping Cat warm) symbolizes their new life together. Holly found where she belongs.
  3. Top Hat (1935) Another one of the Fred Astaire-Ginger Rogers films that features Astaire as a character who initially annoys Rogers’ character until a dance brings them together. In this film, Astaire’s Jerry Travers, a tap dance star, arrives in London to appear in a show for producer Horace Hardwick (Edward Everett Horton). Late at night, he decides to practice his number (on hard floors!) and wakes up and annoys Dale Tremont (Rogers). She comes up to his room to complain and he is smitten. She is less so. Then there’s a case of mistaken identity, with Dale thinking that Jerry is Horace, the husband of her friend Madge (Helen Broderick).

    Jerry pursues Dale throughout the film and she continues to be repulsed by him because she thinks her friend’s husband is coming onto her. A rainstorm at the park forces Jerry and Dale to seek refuge under a gazebo, where they dance to “It’s a Lovely Day (to be Caught in the Rain).” As with many of their films, Rogers’ annoyed attitude towards Astaire lessens, as they start to fall in love through song and dance.

Finally, rain can also be utilized to add a certain atmosphere to a film, or to evoke a specific feeling.

FAVORITE ATMOSPHERIC RAIN SCENES

Gene Kelly in what is probably the most famous rain scene of all time in Singin’ in the Rain.
  1. Singin’ in the Rain (1952). This film contains the most iconic rain scene of all and I would be remiss to not mention it. Gene Kelly’s classic dance in the rain to the title song, is perhaps the greatest dance number ever captured and the most joyous. I dare anyone to watch this scene and not feel better at the end. What is happier than a dance in the rain, splashing in puddles, without a single care in the world? The “Singin’ in the Rain” number happens after Kelly’s character, silent screen star Don Lockwood, returns from a disastrous screening of his first “talkie,” The Dueling Cavalier. It co-stars his on-screen partner, the incredibly untalented Lina Lamont (Jean Hagen), who is oblivious to the movie’s awfulness and delivers one of my favorite lines, “I liked it!” Don figures that his career is over until friend Cosmo Brown (Donald O’Connor) and new love, Kathy Selden (Debbie Reynolds) convince him to re-tool the film to be the musical, The Dancing Cavalier, with Kathy providing behind the scenes support to cover up Lina’s inadequacies. Overcome with joy and his new lease on life, Don happily sings, dances and splashes his way down the Hollywood streets, until he’s stopped by a befuddled cop. What a buzzkill.
  2. Clue (1985). This film opens with the six main characters arriving at the mansion of Mr. Boddy, in their color-coded vehicles. The house is tall and ominous, as is the torrential downpour. Inside the mansion, both Mr. Boddy and the chef are killed, leaving the six guests, plus butler Wadsworth (Tim Curry) and maid Yvette (Colleen Camp), to wonder who was responsible. The rain forces other unsuspecting visitors to enter the mansion, like a motorist breaking down in the rain and wanting to use the phone, and a cop investigating the motorist’s abandoned car. It rains the entire time throughout the film, lending a sort of spookiness to the classic mystery of “Who Killed Mr. Boddy?”
  3. Thunder on the Hill (1951). This film takes place almost entirely at a convent. Sister Mary Bonaventure (Claudette Colbert) is in charge of the hospital ward of the convent. A horrific rainstorm closes nearby roads, keeping everyone inside and others out. A woman, Valerie Carns (Ann Blyth), is brought to the convent to wait out the storm due to the closed roads. She is supposed to be delivered to the prison to await her execution for the murder of her brother. However, the washed out road delays the inevitable and she is forced to stay at the convent. As one can imagine, Valerie is not particularly amiable or even polite. Sister Mary does her best to be gracious and empathetic to Valerie, eventually softening her up a little. Through talking to Valerie, Sister Mary realizes that she may be innocent and decides to investigate Valerie’s brother’s death before the rain lets up and the roads re-open.

    In this film, the rain adds a harshness and uneasiness to the events in the film. As soon as the rain lets up and the road is passable, Ann Blyth’s character is headed to Death Row for a crime that she may not have committed. Other refugees are unhappy with her presence. The head doctor’s wife, Isabel, is a patient at the hospital and is unhappy with Sister Mary. Lending to the tension is that this same doctor also testified against Valerie in the case against her brother–more or less sealing her conviction. The Mother Superior (Gladys Cooper) is upset that Sister Mary refuses to follow her orders that she not intervene between Valerie and the police. Sister Mary is also holding onto her own baggage–the recent suicide of her sister. The relentless rain, the only thing keeping these people cooped up at the convent, increases the tension and drama.

HONORABLE RAIN SCENE MENTIONS:

Dorothy Malone watches, longingly, as Bogart departs her bookstore in “The Big Sleep.”
  1. The Big Sleep (1946). It rains constantly in this film and only lends to the overall darkness and spookiness of the proceedings. The plot is also a mess, the weather might as well be too.
  2. My Neighbor Totoro (1988). In this film, sisters Satsuke and Mei discover Totoro, a forest spirit, living near their new home. The sisters are living near a local hospital where their mother is convalescing. Totoro and his fellow spirits watch over the girls and intervene when Mei goes missing.
  3. Casablanca (1942). Humphrey Bogart’s Rick stands in the rain, eagerly awaiting Ingrid Bergman’s Ilsa’s arrival, only to be handed a “Dear John” letter. As Rick’s heart breaks, the rain washes Ilsa’s words off the page. His life is over as he knows it.
  4. Red Dust (1932). Getting caught in a monsoon forces Mary Astor’s stuffy Barbara into the home of the rugged Dennis Carson (Clark Gable). Also staying with Dennis? Vantine (Jean Harlow), a prostitute who is none too happy or impressed with Barbara’s presence. Vantine has her eye on Dennis too and does not want to share. However, upon spotting a rain soaked Barbara, Dennis is overwhelmed and seduces her. The rain in this film lends an intensity, further making an already stifling film feel even more stuffy than it did before. This isn’t a cold rain. This is a hot, humid, rain.
  5. The Old Dark House (1932). A common trope in horror or mystery films, this is another movie that uses rain to force people inside. Horror often has people seeking shelter from strangers, and they’re always unusual strangers. In this movie, Phillip and Margaret Waverton (Raymond Massey and Gloria Stuart) are driving in a heavy storm with their friend, Penderel (Melvyn Douglas). They end up seeking refuge from the Femm siblings, Horace and Rebecca. The Femms are very weird. They warn their visitors about their butler Morgan (Boris Karloff), who is mute, alcoholic, and extremely dangerous. Eventually, two more people arrive at the Femms seeking shelter, Sir William Porterhouse (Charles Laughton) and Gladys DuCane (Lillian Bond). As the group stays at the home longer, they start to discover more and more unusual people and continue to be terrorized by Morgan. This is not only suspenseful, it is also very funny. “Please pass the po-tay-toes,” is my favorite line in the film.

Categories
Blogathon Favorite Classic Television

I Love Lucy Blogathon–Top 5 Underrated Episodes of “I Love Lucy”

I’m here again with my second of three total posts about my all-time favorite television show–I Love Lucy! Everyone knows about the most famous moments of I Love Lucy–even people who have never seen an episode (they’re probably out there, hard to believe, I know), are probably aware of Vitameatavegamin. They’ve probably seen Lucy and Ethel struggling to wrap chocolates on the conveyor belt at Kramer’s Kandy Kitchen, or watched Lucy almost drown in the wine vat while stomping grapes with her large pizza-sized feet.

In this post, I wanted to highlight five underrated episodes which are just as funny as the more famous, iconic moments in the series. In this context, I’m considering “underrated” episodes to be ones that haven’t received a colorization and aren’t typically mentioned in any “Best of I Love Lucy” articles or other publications.

1. Home Movies. This is one of my favorite episodes of the entire series. It made me laugh the first time I saw it and it made me laugh the hundredth time I saw it. The episode opens with Fred and Ethel getting ready to go over to Lucy and Ricky’s for an evening of home movies–courtesy of the new film projector that Ricky has recently purchased. Fred is dreading the evening as he’s tired of watching the same home movies of Little Ricky. Fred and Ethel come up with a scheme to try and keep the conversation from lagging so that Ricky doesn’t have a chance to suggest his home movies. Unfortunately for them, they start eating Lucy’s caramels and are unable to speak. Ricky, having just purchased a new screen for his projector wants to try out the screen and once again plays the same home movies.

However, the evening ends up in shambles when Lucy falls asleep, while Fred and Ethel sneak out. Ricky is upset. He’s so upset in fact, that he informs Lucy, Fred and Ethel that he’s planning to make a television pilot film and he was going to use them as actors; but has since changed his mind. Discouraged and also never missing a chance to get into show business, Lucy decides that she will also make a television pilot film, starring herself, Fred and Ethel. She will then splice her film into Ricky’s so that he will unknowingly screen both films for the television producer.

Lucy, Fred and Ethel decide to make a western-themed show. Lucy paints a hilarious backdrop of a saloon (frankly, Lucy should look into being a backdrop artist. She’s a great painter). She and Ethel play cowboys, Tex and Nevada, respectively. They play out a typical Western scenario of two cowboys singing “I’m an Old Cowhand,” then playing cards and smoking. Nevada accuses Tex of cheatin’ which leads to a duel. Fred plays the sheriff who bursts into the saloon and wants to arrest Tex and Nevada.

Then we see Lucy at work running a film splicer and cutting the films together. However, we don’t see the end product until Ricky screens it for the producer. This film is hilarious. It starts with Ricky singing “Vaya Con Dios,” then goes into Lucy’s video, then back to Ricky, then Little Ricky, back to Lucy, then all of a sudden, it really goes haywire. The sound is mixed up with Lucy’s sound playing on top of Ricky’s video. There are random shots of Little Ricky. Then the film and sound start playing backwards, with the hilarious shot of Lucy’s cigarette smoke going back into her mouth. Then the film is sped up, then abruptly ends with Ricky’s “This is a Ricky Ricardo Production!” and Fred’s “I Got Wind of It!”

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2. Mr. and Mrs. TV Show. This episode begins with Lucy secretly having lunch at 21 (offscreen) with an executive who is acquainted with Carolyn Appleby. The executive, Harvey Cromwell, wants to do a show with Ricky. Lucy tells Ricky and is incensed when he wants to do the show, but without her. Eventually however, the executives come up with a concept for their show, a Mr. and Mrs. morning show, featuring Ricky and Lucy. Ricky is reluctant, but Cromwell insists, saying it is a “Mr. and Mrs. Show or else!” He has to convince Lucy to be a part of the show without telling her the truth. He feigns enthusiasm at her singing and makes her think that he’s going to demand that Lucy be added to the show.


Next, we see a common plot device on I Love Lucy, with Lucy, Ricky, Fred and Ethel running through the entire show as written with no mistakes. Next up is the dress rehearsal before filming–or so they think. Cromwell tells Ricky (and only Ricky), that the “dress rehearsal” will be the actual show. They don’t want Lucy, Fred and Ethel to know they’re being filmed. It is right before the “dress rehearsal” when Lucy discovers that Ricky didn’t want her on the show after all. To get back at him, she decides to perform a different version of the show–with hilarious results. Lucy’s new performance brings my favorite line, “I woke up this morning feeling real blah. Felt like a real slob.”

—

3. Bullfight Dance. This episode takes place during the Hollywood season. In this episode, Lucy is approached by Ricky’s agent to write an article called “What It’s Like to Be Married to Ricky Ricardo.” Lucy sees this as a golden opportunity. Lucy’s article is meant to promote the Heart Fund benefit that Ricky will be headlining. Lucy of course wants to be involved. Ricky of course says no. Lucy decides to blackmail Ricky by writing two versions of her article–one flattering to Ricky and the other not.

Not wanting bad publicity, Ricky concedes to Lucy’s demands. At first he asks her if she wants to do a musical number with him. He suggests a number where she sings “Humoresque” and he’ll sing “Swanee River.” Anyone familiar with these two songs will know that they both have the same medley, just different lyrics. The idea with this number is that the two performers will be singing their respective songs and then they’ll have moments of harmonization. However, Lucy keeps getting mixed up and starts singing Ricky’s song. Eventually, Ricky suggests a different number–a matador themed number. He’ll be the matador and Lucy will be the bull. Annoyed about her perceived demotion, Lucy decides to feminize the ferocious bull and steal Ricky’s thunder. She makes hilarious changes to the bull, including adding big eyelashes, lips, and a hat with flowers on it.

—

4. Ricky Thinks He’s Getting Bald. In this episode, Ricky starts becoming self-conscious that his hairline is receding. Lucy thinks he’s nuts; but he can’t be convinced. He’s driving her crazy, insisting on wearing hats inside to hide his perceived baldness. To try and cure him, she decides that she’s going to purchase the most disgusting, most painful hair restoration treatment she can find.

While at the hair restoration store, she meets Mr. Thurlough, the hair restorer man. Mr. Thurlough thinks that Lucy’s talking about herself when she explains that she needs to find a treatment for someone who thinks they’re going bald. After explaining to him that it really is for her husband and not her, he tells her an anecdote about another woman and her alleged balding husband. Apparently, to convince this man that he actually had a lot of hair, the wife invited a bunch of actually bald men so he could compare. Lucy decides to do the same thing and has Mr. Thurlough hook her up with some of his bald clients. This plan fails.

At her wit’s end, Lucy decides to follow through on her original plan, to make Ricky go through the grossest, smelliest, most painful hair restoration treatment. She sits him down and starts going to work. She essentially makes a salad dressing on top of his head with oil, vinegar, and eggs. Then, she makes a mustard plaster and has Ricky put a nylon over his head. This leads to the funniest scene in the episode when Ricky pulls the nylon all the way over his face–scaring Lucy. Eventually, he covers his head in the mustard plaster and puts a heat cap on top of it, so he can bake.

—

5. Lucy Raises Tulips. The penultimate episode features Lucy, Ricky, Fred and Ethel living in the country in Connecticut. Lucy and Ricky own a large home with Fred and Ethel living in the good-sized guest home on the property. Lucy has entered the annual tulip competition, a competition which has been won by her neighbor Betty Ramsey, every year. Lucy is determined to win. The judges will be visiting her home in the next day or two and she wants Ricky to mow the lawn so that it looks nice. However, Ricky is procrastinating.

Lucy ends up trying to mow the lawn herself and runs amuck on the machine. After getting home from driving on the Boston Post Road against traffic, Lucy accidentally mows through Betty’s tulip garden. She comes up the idea to replace Betty’s yellow tulips with lifelike wax ones from the nearby store. Since Lucy was only able to mow half the lawn, Ricky opts to finish the job, however he does it in the dark, so dark it was darker than the inside of his sombrero. Unfortunately for Lucy, Ricky has accidentally mowed right through her tulip bed. To cover up his indiscretion, he decides to replace the flowers with lifelike pink wax tulips, resembling Lucy’s. Both Lucy and Betty are now competing with wax flowers.

Categories
Blogathon Favorite Classic Television

I Love Lucy Blogathon–“My Answers to the I Love Lucy Tag”

When I learned that “The Classic Movie Muse” was holding an I Love Lucy blogathon, I knew I had to participate. I knew I had to participate enough that apparently, I felt compelled to submit three, count ’em THREE articles. Fortunately, if there’s one thing I know, it’s I Love Lucy, so it’s not requiring a lot of research or time on my part. I thought I’d start with the answers to The Classic Movie Muse’s I Love Lucy tag, as it’d be relatively easy to do.

The I Love Lucy Tag:

Q: When did you first start watching I Love Lucy?
A: I started watching “I Love Lucy” at around age 10-ish, so 1994, when I discovered it one evening on Nick at Nite. The first episode I saw was “L.A. at Last!” with guest star William Holden. I thought the episode and Lucy in particular, was HILARIOUS. From then on, I was a Nick at Nite devotee, I watched ‘Lucy’ every night, and then the “Whole Lotta Lucy” Saturdays, with two episodes of ‘Lucy’ and an episode of the “Lucy-Desi Comedy Hour.” I also loved Nick at Nite’s Block Party Summer, because ‘Lucy’ was always featured, meaning that there were 3 hour blocks of ‘Lucy’ every week, AND “Whole Lotta Lucy Saturday.”

Q: What are your favorite I Love Lucy episodes?
A: My favorite I Love Lucy episodes are:

  1. L.A. at Last! (the burning nose episode with William Holden)
  2. Ethel’s Birthday (the infamous hostess pants episode)
  3. Lucy Wants a Paris Gown (Lucy and Ethel get faux Jacques Marcell Parisian dresses made of burlap)
  4. The Black Wig (Lucy tries out the “New Italian Haircut”)
  5. The Million Dollar Idea (Lucy and Ethel try to sell Aunt Martha’s Old Fashioned Salad Dressing)
  6. Fred and Ethel Fight (Lucy and Ricky try to get the feuding Mertzes back together and end up in a fight themselves)
  7. Tennessee Ernie Visits & Tennessee Ernie Hangs On (I love Ernie Ford, he’s hilarious)
  8. Home Movies (Lucy and the Mertzes make their own Western-themed television pilot)
  9. The Star Upstairs (CORNEL WILDE IS IN THE PENTHOUSE)
  10. In Palm Springs (Would you like a piece of Rock, Mr. Candy?)

Q: What’s your favorite Lucy disguise or costume?
A: I love all of the ridiculous rubber masks she wears in the “Harpo Marx” episode when Carolyn Appleby visits Hollywood (enroute to Hawaii) and wants to meet all the stars that Lucy has been hobnobbing with, per the postcards she’s written to friends back home. After getting Carolyn’s glasses away from her, Lucy disappears. While she’s gone, big stars like Gary Cooper, Clark Gable, and Jimmy Durante stop over (obviously all Lucy in a rubber mask). The entire thing is absurd, but is the showcase for my favorite Lucy impression–her Clark Gable impression. “Gotta little laryngitis, baby!” This also leads into Lucy’s fabulous Harpo Marx costume (and actual costume, not a mask), where she ends up reenacting the famous mirror bit from “Duck Soup” with Harpo himself. Harpo just happens to be at the hotel performing in a benefit.

Q: If you could own one prop from the show, what would it be?
A: I want to own that bizarre device from “The Marriage License” that Lucy finds while she’s cleaning out her desk. Neither she nor Ethel know what it is; but Lucy can’t throw it away “because it might be something I need!”

Q: Which secondary character do you enjoy the most?
A: I love Tennessee Ernie. He is hilarious. “Normally I toss and turn, but not in that thing!”

Q: You’re planning a get together with Lucy, Ricky, Fred & Ethel. What is the order of the day?
A: This is assuming that I am alive in the 1950s and lived in the I Love Lucy-universe, obviously. I would plan this party while the gang is still in Hollywood. This is an all-day extravaganza. First we’d go down to the pool, to see who’s hanging out, since all the stars seem to be poolside at the Beverly Palms. Then we’d go to the Brown Derby so that I could be a “Johnny Jump Up” with Lucy and Ethel. I want to try the famous Derby Cobb Salad. I would also be like Lucy and look at all the caricatures on the wall. I would hob with every nob that was worth hobbing with. Then, we’d all go down to Grauman’s Chinese Theater, so that I could sit on Bill Holden and maybe see a movie. After that, we’d go back to the hotel and hope that we run into Bobby the bellboy. Then, because I always wanted to go to one of those big Hollywood clubs, we’d all go to the Mocambo, using Ricky’s clout of course to get in. I’d play “Mother, May I?” when choosing between Fred or Ricky to dance with, obviously, after I was done saying “My mother told me to pick YOUUUU!” I’d dance with Ricky. Hopefully, Ricky will be summoned to the stage to sing a couple numbers, preferably “Babalu.” By then, it’ll be time to return to the hotel and call it a day.

Q: Which I Love Lucy catchphrase do you find yourself using the most?
A: I don’t know if it’s a catchphrase per se, but I find myself using the “are you having trouble with your liver?” line from “Lucy Writes a Play” a lot. I also use Lucy’s “Mertz?!” line from “In Palm Springs” a lot. Finally, I enjoy the entire exchange in “Home Movies,” with “Smile when you say that,” “no man can say that to me,” and “Are you accusin’ me of cheatin’?”

Q: What’s your favorite musical moment from the show?
A: I love the “I’m an Old Cowhand from the Rio Grande” song from “Home Movies” as well as Lucy’s lip-syncing to Carmen Miranda’s “Mamãe Eu Quero” from “Be a Pal.”

Q: If I Love Lucy had a “lost episode” that you could watch, what kind of plot would you want?
A: I would love to see an episode featuring Albert and his wife from apartment 4B. “Albert! Albert! Are you coming?” “I told you I’d be there in a minute!” OH FOR HEAVEN’S SAKES ALBERT, GO EAT YOUR LUNCH!

Q: What’s something you’ve learned from I Love Lucy about comedy, relationships or life?
A: That good friends are worth keeping and investing in the relationship. To this day, I have never been friendless. I have friends.

Q: Why do you think I Love Lucy has remained popular for so many generations?
A: I think it has remained popular because Lucy’s humor is timeless. Even as crazy as Lucy Ricardo can be, all of her schemes start from a plausible premise and go awry–something that could conceivably happen to anyone. Take “Million Dollar Idea” as an example. Lucy makes good salad dressing. She and the Mertzes think that there’s money to be made. Lucy and Ethel figure out that they can use their connections with Carolyn Appleby and her husband to get on TV to market the dressing. Only they underestimate the cost of overhead and production and don’t markup their product enough. They also underestimate their demand. They try to “unsell” it, only to get MORE orders.

Also, save for the occasional reference to a 1950s figure like Kinsey, or Harry S. Truman, or Mamie and Dwight Eisenhower, I Love Lucy isn’t topical. There aren’t episodes talking about the Red Scare, or the Korean War or anything like that. That’s why shows such as All in the Family from the 1970s that very much dealt which issues at the time can feel outdated and younger generations can’t even connect with it. I Love Lucy doesn’t have that issue. Lucille Ball and I Love Lucy are like the famous silent film comedians (Chaplin, Keaton and Lloyd) who have all endured, even 100 years later. Funny is funny, no matter the time period.

Finally, I think that Lucy and Desi’s decision to film the show versus using kinescope is one of the biggest reasons that the show endures. Look at The Honeymooners, a show considered to be groundbreaking and a major sitcom of the 1950s. However, it was filmed on kinescope, so the quality is really really poor. While The Honeymooners is known and episodes can probably be seen here and there, nobody is clamoring to rewatch old episodes of a 70-year old show on kinescope.

What is this thing?
Categories
Blogathon Favorite Classic Television

The Neighbors Blogathon–Top 5 Funniest Ricardo/Mertz Feuds

Ed and Trixie Norton. Barney and Betty Rubble. Rhoda Morgenstern. Abner and Gladys Kravitz. Classic television is full of iconic neighbors. The most iconic of all neighbors, I would argue, are Fred and Ethel Mertz (William Frawley and Vivian Vance)–the neighbors and landlords of Lucy and Ricky Ricardo (Lucille Ball and Desi Arnaz) on I Love Lucy. The Ricardos and Mertzes have a unique relationship in that not only are Lucy and Ricky tenants in the Mertzes’ New York City brownstone at 623 E. 68th Street, they are also best friends. One has to wonder how the other tenants, Mrs. Trumbull, Grace Foster, Mrs. Lewis, Albert in 4B who needs to eat his lunch, the Bensons, and countless others feel about their landlords’ close relationship with one of their fellow tenants. The Ricardos, no doubt receive special treatment from their friends.

Regardless, the other tenants don’t matter because I Love Lucy is about the Ricardos and Mertzes. Like all people who have been in close 10+ year long relationships, there are bound to be some disagreements. Lucy, Ricky, Fred and Ethel are four different people, they aren’t going to get along 100% all the time. For every five episodes where everyone gets along, there will be an episode with an argument. One of the best parts of I Love Lucy is the way that the show will pair up the characters in an argument. Sometimes Lucy and Ricky will be at odds, other times it’ll be Lucy and Ethel, sometimes it could be the Mertzes versus the Ricardos, there are even episodes with Lucy, Ethel and Fred teaming up against Ricky.

In this blog entry, I would like to focus on the five funniest feuds that took place on I Love Lucy, featuring any combination of the characters.

Ethel’s hostess pants. Frankly, I think Lucy would look great in the outfit she describes. I would have loved to have seen Lucy wear them in a later episode.

#1 Ethel’s Birthday

It’s Ethel’s birthday in this episode and it’s hysterical. Through dialogue, we learn that Ethel’s age falls between the Speedy Cleaners’ 40th Birthday and Goldblatt’s Delicatessen’s 50th. Lucy and Ricky plan to gift a set of tickets to Frank Loesser’s latest show–“Over the Teacups,” the hottest show in town. For his gift, Fred enlists Lucy’s help to pick something out for Ethel. Fred claims that Ethel hinted that she wanted a toaster. Lucy is aghast, telling Fred that women don’t want something practical like a toaster. They want a “gifty gift.” Lucy ends up picking out a pair of harlequined, sequined “hostess pants.” While we only see the pants in black and white, I like to imagine that they have black, orange and yellow diamonds with a white background and gold sequins.

Ethel finds her gift in the closet and opens the hostess pants in front of Lucy. Ethel is disgusted, stating that “these (the pants) make Fred’s other gifts look great.” Lucy tries to defend the pants, but Ethel is not persuaded. When Ethel makes a crack that she’d like to see what idiot talked Fred into these pants, Lucy admits that it was her idea. Ethel is flabbergasted that Lucy could think she wanted these pants. Lucy is insulted that Ethel hated her gift. This scene culminates into Lucy calling Ethel old and fat.

Eventually, the time comes for the Ricardos and Mertzes to go to the Broadway show. Lucy and Ethel end up seated next to each other and continue their feud–much to the annoyance of everyone, but especially the man behind them. The funniest part of this scene is when Lucy asks to borrow Fred’s binoculars and he declares “I don’t care!” Ethel and Lucy continue playing tug o’ war with the binoculars until the man behind them has had enough. He grabs the binoculars, cracks them in half and gives one side to each woman. Ethel grabs both pieces and slides them under the seat, looking sheepishly at Fred, hoping he doesn’t notice. The play features some dialogue that hits close to home and brings Lucy and Ethel to tears and mends their broken friendship. The two women finish watching the play arm in arm.

LUCY: Happy Birthday, Mrs. Mertz. I hope you live another 75 years!

ETHEL: She (Lucy) said I looked like a hippopotamus.
LUCY: I merely intimated that she was a little hippy; but on second glance, she does have the biggest ‘potamus’ I’ve ever seen!

Lucille Ball as “Lucy” and Vivian Vance as “Ethel” in I Love Lucy
The Ricardos and Mertzes settle things with a pie fight.

#2 The Diner

Ricky Ricardo is sick and tired of the nightclub game. After a particularly bad evening featuring an act that was a no-call, no-show, and losing power, he dramatically declares that he’s done with show business. Looking through the classifieds, Ricky finds a for sale listing for a diner. Ricky expresses his dream to open a diner that sells Cuban-style food. He proposes the idea to Fred who is intrigued. Soon the two men go into business together and the diner, “Little Bit of Cuba,” is born. The original arrangement has Lucy and Ricky in the front of the house greeting and seating customers, Fred taking and giving orders, and Ethel cooking in the back. However, the Mertzes soon tire of doing all the hard work while Lucy and Ricky chat with the customers and talk about how easy running a diner is–or as Fred puts it, “leading a gay social whirl up front.” The Mertzes suggest to the Ricardos that they switch places. Ricky is incensed, stating that “[he] has the name” and Fred “has the know-how.” Fred doesn’t care and wants a break.

The Mertzes walk off the job leaving the Ricardos to run the diner. Ricky greets, seats and waits on the guests while Lucy is cooking. However, despite there only being four customers who arrive at different times, Lucy is unable to keep up with the rush. Eventually, the Mertzes return, wanting Ricky to buy out Fred’s share. Unable to afford to do so, the couples end up splitting the diner, with “Little Bit of Cuba” on one side and “Big Hunk of America” on the other. The funniest scene has Lucy and Ethel trying to one-up each other to win the business of the drunk at the counter. Ethel offers 1-cent hamburgers. Lucy gives the drunk $1 so he can order 100 hamburgers. Eventually this rivalry leads to an all out pie fight with every character getting a pie in the kisser. The episode ends with the original owner returning under the guise of missing the old place. He sells the place back to the Ricardos and Mertzes at a lower cost than what they paid. The owner then admits to the drunk that he makes a fortune selling and buying the same diner over and over to people who want to go into business themselves.

RICKY: Where’s your ‘know-how’ now? We’ve got no customers no how!

Desi Arnaz as “Ricky” in I Love Lucy
I don’t know why, but Lucy with her hat on her bandaged head makes me laugh.

#3 Fred and Ethel Fight

Fred and Ethel are fighting and have been fighting long enough for Fred to be living at the YMCA. Ethel is miserable and Fred seemingly is having the time of his life. Wanting her friends to get back together, Lucy invites Ethel and Fred over for dinner without the other knowing. At dinner time, Ethel and Fred are none too pleased to learn that they’ve been duped. However, not wanting to turn down a free meal, both agree to stay. They eventually work things out and are back together. However, Lucy and Ricky end up getting into an argument while trying to tell Fred and Ethel about an argument that they had and resolved. Lucy is convinced she put an end to the argument while Ricky says that he did. The evening ends up concluding with Ricky dramatically leaving. For the next few days, Ricky and Lucy are estranged and the Mertzes try to get them back together.

Lucy comes up with a scheme to make Ricky feel sorry for her. She wants to pretend like she was run over by a bus. She puts on a full body cast and bandages her head. Meanwhile, Ricky and Fred eventually come up with a scheme to make Lucy take Ricky back. With the help of a fog machine and a whistle, they make Lucy think that their apartment is on fire. Ricky is in the apartment yelling, making it sound like he’s trying to force his way into the bedroom to save her. Lucy, frantic that the apartment is on fire, and still wearing her full body cast, starts packing. The funniest scene has her wearing a hat on top of her bandaged head, carrying jugs of henna rinse out of the bathroom. Lucy fashions a rope out of bedsheets and jumps out the window–except oops, she forgot to tie the rope to something heavy. Luckily the Mertzes’ awning breaks her fall. Ricky finds Lucy outside and the two make up.

FRED: She said my mother looks like a weasel!
LUCY: Ethel, apologize!
ETHEL: I’m sorry your mother looks like a weasel.

William Frawley as “Fred,” Lucille Ball as “Lucy,” and Vivian Vance as “Ethel” in I Love Lucy.
The Ricardos and Mertzes watch the washing machine fall over the railing.

#4 Never Do Business With Friends

In this episode, Ricky surprises Lucy with a brand-new washing machine. I guess the Handy Dandy washing machine he bought her twenty episodes prior was no longer cutting it. Knowing that the Ricardos have an extra washing machine, it is suggested that the Mertzes buy it. Ricky is against the idea, stating that he does not want to damage their friendship doing business with one another. The Mertzes and Lucy think he’s being silly and assure him that it’ll be fine. However, Ricky’s fears come true when the washing machine breaks before the sale goes through. The Mertzes immediately want to renege on the deal despite having taken possession of the washing machine. This leads to an argument between the two couples.

In one of the funniest scenes of the episode, Ethel tries to push the washing machine in front of the Ricardos’ kitchen door–thereby washing the Mertzes’ hands of it. Lucy sees it and pushes it back in front of the Mertzes’ door. Lucy and Ethel are soon head-to-head trying to push the machine towards each other. Mrs. Trumbull (Elizabeth Patterson) sees them and breaks up the fight. She suggests she has her repairman nephew take a look and see if he can fix it. The next day, Mrs. Trumbull’s nephew looks over the washing machine and offers to pay more money than what the Ricardos were charging the Mertzes.

Now the Mertzes are more than happy to take the machine and the Ricardos are more than happy to take the machine back. The two couples start fighting over the washing machine and end up pushing it through the railing, three stories up. Hopefully nobody was on the sidewalk below. The washing machine presumably explodes into a million pieces–leading Lucy to say the funniest line of the entire episode:

LUCY: Look what happened to your washing machine!

Lucille Ball as “Lucy” in I Love Lucy
Lucy and Ricky try to get the Mertzes’ TV downstairs–while keeping the bow looking nice.

#5 The Courtroom

It’s the Mertzes’ 25th wedding anniversary! The Ricardos have decided that they’ll give the Mertzes the very generous gift of a brand-new television set. Lucy has the television set delivered to her and Ricky’s apartment, despite the Mertzes living one floor down. There’s a hysterical scene of Lucy and Ricky trying to carry the television set downstairs. At one point Ricky has it on his back, shimmying himself down one stair at a time, falling on the next stair with a thud. Lucy is unconcerned with Ricky’s pain and discomfort, she just wants to make sure the bow looks nice.

The Ricardos finally get the television downstairs and joyfully present it to the Mertzes. Their friends are excited, obviously and the couples try out the set. While watching television, it is decided that the picture needs adjusted. Ricky just happens to have tools on him and goes to work fixing it. He and Fred argue over adjusting the television. Ricky’s adjustments go awry however when the tube explodes, breaking the set. In retaliation, Fred runs upstairs and kicks the Ricardos’ screen in–leaving both couples with a broken television set. Negotiations for repairs of each television set fall apart, leading the Ricardos and Mertzes to sue each other.

Ricky, clearly breaking the law, makes Lucy rehearse her “spontaneous” testimony–complete with stage directions that include looking adoringly at Ricky, snarling at the Mertzes, and lifting her skirt a little higher to show some leg. Then the court day arrives and Lucy is called to the stand. Lucy’s “spontaneous” testimony paints Ricky in an angelic light, stating that he’s a “electronics specialist” and makes Fred seem insane. Lucy says “with a fiendish gleam in his eye and flecks of foam on his lips, he went straight to our television set and kicked the glass in.” She then lifts her skirt and shows some leg, which seems to excite the judge a little. Then it’s Ethel’s turn. She gives the same type of testimony, except she claims that Ricky hacked at the Mertzes’ television set with an axe, then forced everyone to go to his and Lucy’s apartment where he picked up Fred’s leg and pushed it through the glass. The funniest part of this scene is when Ethel tries to lift her skirt higher to show a little leg and Fred comes over and pulls it back down, accusing Ethel of trying to lose the case.

Eventually, the judge insists on recreating the incident. He has the bailiff bring out his television set and they recreate the incident. During the re-creation, the judge walks the Mertzes and Ricardos through their respective testimonies until both parties admit that their stories were fake and they’re equally responsible. Ricky also states that the explosion occurred because there were two loose wires on the back of the set, which he attributed to the stairs. He says he put the wires together and the set exploded. The Ricardos and Mertzes agree to pay for each other’s television sets and leave the courtroom. The judge, not convinced of Ricky’s claim that the wires caused the explosion, puts the two wires together and blows out the tube of his television set.

LUCY: Honey! Be careful of the bow!
RICKY: Be careful with the bow?!

Lucille Ball as “Lucy” and Desi Arnaz as “Ricky” in I Love Lucy
HONORABLE MENTION: Breaking the Lease. The Ricardos stage a midnight practice with Ricky’s entire band in hopes of convincing the Mertzes to kick them out. Forget about the other tenants.

Categories
Blogathon Favorite Classic Television

Betty Grable Blogathon– “Lucy Wins a Racehorse”

Horse racing was a big past time in the United States from the late-19th century until about the 1950s-1960s when it began to lose popularity; but is still popular in some areas of the country. Many classic films are centered around illegal bookmaking operations (Miss Grant Takes Richmond, 1949) or have horse racing featured as a pivotal part of the plot (The Killing, 1956). Celebrities such as Desi Arnaz, Betty Grable, Harry James, Fred Astaire, Barbara Stanwyck, Mickey Rooney, and Gregory Peck could be seen sitting in the grandstands at racetracks in Del Mar and Santa Ana. Desi and Betty were such fixtures at the Del Mar track that both have races named after them. The Desi Arnaz Stakes and Betty Grable Stakes races are still held to this day.

Lucy and Ethel walk into an unwanted visitor in the den.

Starting right after I Love Lucy’s series finale in 1957, The Lucy-Desi Comedy Hour was a series of specials that Desilu produced between 1957-1960. Each of the thirteen episodes features one or more celebrity guest star. In the episode, the celebrity would get mixed up with Lucy Ricardo (Lucille Ball) in one of her outlandish schemes. The episodes used Ricky Ricardo’s (Desi Arnaz) celebrity and ownership of the Club Babalu (formerly The Tropicana) as an explanation as to how these celebrities come in contact with the Ricardos and Mertzes.

Betty’s love of horse racing and the horses themselves is how she becomes involved in one of Lucy Ricardo’s schemes in the fourth Lucy-Desi Comedy Hour special, “Lucy Wins a Racehorse.” In the episode, Betty and Harry are booked to perform at the Club Babalu. At the beginning of the episode, Lucy is begging Ricky for a horse. Stating that Little Ricky has been wishing for a horse for a long time. Being the logical part of the marriage, Ricky is against owning a horse due to the high cost involved. However, because it’s Lucy, she won’t take “no” for an answer. Lucy has already submitted dozens of entries (using the names of everyone she knows) for the “Korny Krinkles” cereal box-top contest. As an aside, I swear that I’ve seen these same boxes of cereal in multiple shows, but with different names. In another Lucy-Desi Comedy Hour, “Lucy Wants a Career,” Lucy gets a job as a Girl Friday promoting “Wakey Flakies” and the same boxes are shown with a different name. There’s also an episode of The Brady Bunch where Peter sells Sunflower Girl Cookies and the boxes look identical). But back to Lucy. The Korny Krinkles top prize is a racehorse.

RICKY: “Fred, do you see a horse on the stairs?”
FRED: “I don’t see anything.”
ETHEL: “What horse?!”
LUCY: “What stairs?”

Desi Arnaz (Ricky Ricardo), William Frawley (Fred Mertz), Vivian Vance (Ethel Mertz) & Lucille Ball (Lucy Ricardo)
Betty Grable shows off her gorgeous gams.

Lucy, rather Fred Mertz (William Frawley), wins the racehorse. Ricky is now out of the house, having left to go pick Betty Grable and Harry James up from the airport. The horse, “Whirling Jet,” has developed quite the attachment to Lucy. As she and Ethel (Vivian Vance) discuss how to break the news about the horse to Ricky, they walk into the Ricardos’ den to find Whirling Jet inside. Right at that time, they hear Ricky driving up and have to scramble to figure out how to hide the horse. Ricky walks in and hears a horse neighing from inside the den. Lucy successfully convinces him that he’s working too hard and is just hearing things. Ricky leaves to take a walk. Just as Lucy and Ethel are trying to walk Whirling Jet up the stairs, Ricky comes back. Betty and Harry enter quickly afterwards and have to wonder what they’ve gotten themselves into.

ETHEL (motioning toward her legs): “What’s the matter with these?”
FRED: “Nothing, only you’ve got them on upside down.”

Vivian Vance (Ethel Mertz) and William Frawley (Fred Mertz)

Ricky has invited Betty and Harry to his home to rehearse one of the numbers, “The Bayamo,” that they’re set to perform at Club Babalu. Fred takes a front seat to get a load of “those gorgeous Grable gams.” Ricky and Betty run through the number and Harry has his trumpet solo. While “The Bayamo” isn’t the most energetic number, it is entertaining. Since they are in rehearsal, maybe it was more exciting when being performed at the club. Incidentally, Desi Arnaz and Betty Grable dated in 1939, before he met Lucy. Desi was on Broadway, performing in “Too Many Girls.”

Harry James and Betty Grable walk into chaos in the Ricardo living room.

Almost immediately, Lucy goes to work getting horse lover Betty to help her figure out how to keep Whirling Jet. She suggests entering the horse in a race, saying that if he wins, the purse would be big enough to take care of Whirling Jet for his entire life. However, Harry points out that they would need to pay a considerable sum of money upfront just to get into the race–a race that Whirling Jet isn’t guaranteed to win. Ricky immediately sides with Harry and shoots down Betty’s suggestion. Still not taking “no” for an answer, Lucy motions Betty into the kitchen to get more details about her idea. Betty agrees to go along with it because she’s never too busy to pull one over on a couple of husbands.

LUCY: “Listen, there’s something I want to know, Ethel.”
BETTY: “Ethel?!”
LUCY: “Oh I’m sorry, I usually cook up my schemes with Ethel.”

Lucille Ball (Lucy Ricardo) and Betty Grable (as herself).

BETTY: “Oh by the way, Lucy and I have a little scheme and we need your help with it, Freddy boy.”
FRED: “Anything you say, Betsy girl.”
BETTY: “We thought we’d enter Whirling Jet in a trotting race and not tell that mean old Harry and Ricky about it.”
FRED: “No kiddin’.”
BETTY: “And since you’re the legal owner of the horse, we’re going to need your permission.”
FRED: “Well you have it, my dear.”
BETTY: “Oh you’re a real sweetheart” [Betty kisses Fred’s cheek]… oh and one more thing, Lucy and I are a little short on the amount we need to enter the horse, so could you chip in with a little old measly, $200?Hmmmm?
[Fred counts out $200 in cash]
FRED: “Are you sure that’s enough?…And remember if you need anymore, just call on ‘Fred-sie boy.’

Betty Grable (as herself) and William Frawley (Fred Mertz)
Betty charms tightwad Fred Mertz out of $200

Betty states that they’ll need to put up at least $300 to cover costs such as entry fee, food, trailer to transport the horse, and trainer. Betty puts up $100, leaving $200 as the amount needed. In a very funny scene, Betty uses Fred’s admiration of her and her legs to coax him into lending her $200. Lucy nearly faints witnessing Fred so eagerly offer Betty a good portion of the bank roll in his pocket. With the needed money in hand, Lucy brings Whirling Jet down to the Roosevelt Raceway in Long Island for training. After the trainer has been working with Whirling Jet for a few days, Lucy visits the track where she is informed by the trainer that her race horse is hopeless for winning the big race.

LUCY: “Betty, you’re just what I’ve been looking for–an Ethel Mertz with money!”

Lucille Ball as Lucy Ricardo.

The trainer then notices the change in Whirling Jet’s attentiveness and sees how he’s taken to Lucy. It is suggested that she take the reins and race him in the big race. After some training and a fake mustache (to hide from Ricky, obviously), Lucy is in the race! Eagle-eye viewers will notice that one of the jockeys is Sid Melton, best known as one of the Monroe Brothers in Green Acres (1965-1970) and as Sophia’s deceased husband, Sal, in The Golden Girls (1985-1992). One of the other jockeys in the episode plays the shocked driver whom Lucy and Desi pass on the narrow road in my favorite movie, The Long Long Trailer (1954).

This episode is ridiculous but is one of the better Lucy-Desi Comedy Hour episodes. It makes excellent use of its guest stars, showcasing both their talents for dancing and music as well as comedic talents. Betty Grable basically becomes Lucy’s Ethel Mertz in this episode as she is the one who not only comes up with the scheme, but is fully complicit in its execution.

Categories
Blogathon Favorite Performers

Favorite Stars in ‘B’ Movies Blogathon- Lucille Ball, “Queen of the Bs”

Today Lucille Ball is widely regarded as a legend and the Queen of Comedy. Prior to her legend-making role as Lucy Ricardo in the pioneering sitcom I Love Lucy, Lucy was considered royalty in a less esteemed field–Queen of the ‘B’ movies. A ‘B’ movie does not necessarily mean that it is bad or lesser, it is just a film not given the prestige of A-list above the title type stars, the big directors, and the big budgets. During the studio era, films were often shown on a double bill. A newsreel, cartoon, and short film or serial would be shown first, followed by the B movie, and ending with the headliner, or an A film. B movies were also known as “programmers.”

Lucille Ball, Queen of the Bs

Lucille Ball toiled away for a few years in uncredited and small bit roles at RKO before she was finally given a small supporting role in the A-list production, Stage Door (1937), starring Katharine Hepburn and Ginger Rogers. This film put Ball on the map and RKO started giving her leading roles in their B-list productions. Her first starring role was as Annabel Allison in The Affairs of Annabel (1938), co-starring Jack Oakie. In the film, Oakie plays Annabel’s agent who keeps getting her involved in one zany publicity scheme after another to promote her latest acting project. ‘Affairs’ was followed up by the sequel, Annabel Takes a Tour (1938). RKO originally intended to turn the Annabel films into a serial, but the project was aborted when Jack Oakie wanted more money.

After Annabel, Lucy starred in one B film after another, Go Chase Yourself (1938). In this film, Lucy plays the wife of a man who is mistaken for a bank robber and ends up in a high-speed police pursuit. In another film, The Next Time I Marry (1938), Lucy plays a woman who is set to inherit $20 million if she marries an American. She is in love however, with a Count from another country. Lucy meets an American man and convinces him to marry her. Eventually she ends up trapped in a trailer a la The Long Long Trailer (1954). In an excellent B film, Beauty for the Asking (1939), Lucy plays an entrepreneur who ends up inventing a new face cream after being dumped by her boyfriend, Patric Knowles. Lucy also appeared in another fantastic B-movie, Five Came Back. In this film, she plays a loose woman who ends up being a passenger on a plane that crashes in the jungle. After the plane is fixed, it is revealed that only 5/9 passengers can return home.

Lucille Ball in another B movie, Look Who’s Laughing (1941)

Lucy continued to appear in B films at RKO through the early 1940s. In fact, by the early 1940s, she had appeared in so many B movies, she earned the nickname, “Queen of the Bs.” One of the most pivotal B movies that she appeared in was Too Many Girls (1940), co-starring a young 23-year old Cuban named Desi Arnaz. Lucy and Desi met on set and it was love at first sight. She would later appear in the very charming A Girl, A Guy and A Gob (1941), co-starring a young and adorable (!) Edmond O’Brien, and George Murphy who plays a character named Coffee Cup. This is a great movie and I highly recommend it. Unfortunately, despite how awesome A Girl, A Guy and A Gob is, it was not a film that was going to elevate Lucy to A-list star status.

Despite appearing in dozens of starring roles by the early 1940s, Lucy had yet to get that one part that would change her career. There was no Morning Glory (1933; Katharine Hepburn’s first Oscar-winning role), or Of Human Bondage (1934; Bette Davis’ breakthrough part), or Captain Blood (1935; Errol Flynn’s breakthrough, star-making role) in her future. Lucy had proven herself a capable comedienne. She also had demonstrated excellent dramatic skills in films such as Dance Girl Dance (1940). This woman had “it.” She was gorgeous. She was talented. She had everything that any of her contemporaries had. So why couldn’t RKO make her a real star?

Lucille Ball and Desi Arnaz in Too Many Girls (1940). Lucy and Desi would marry and buy RKO in 1957.

In 1943, Lucy left RKO and moved to MGM. Despite the move, she continued to appear in one film after another that really didn’t do much for her career. The biggest impact MGM made was dying her hair its signature shade of red. Later, she worked at a variety of different studios and made a lot of great films: Lured (1947), The Dark Corner (1946), Miss Grant Takes Richmond (1949); but nothing made her a star. It would take her CBS radio show, My Favorite Husband, where she portrayed the first incarnation of Lucy Ricardo (albeit with a different name, Liz Cooper) to finally give her the break she needed. The success of My Favorite Husband led to being offered a television show. And thanks to Lucy and Desi’s tenacity, that television show ended up being I Love Lucy–which finally gave her the break she wanted and deserved.

Fast forward to 1957, Lucy and Desi, now the owners of the highly successful Desilu Studios television production company, were able to purchase the failing RKO Studios–the very studio that couldn’t make Lucille Ball into a movie star. Thanks to the new medium of television, Lucille Ball, the former “Queen of the Bs” was now “The First Lady of Television” and the “Queen of Comedy.”

Categories
Blogathon Favorite Classic Movies (Pre-1980) Favorite Classic Television

Discovering Classic Cinema Blogathon– How Nick at Nite, I Love Lucy and Lucille Ball Brought Me to Classic Film

I ‘m coming in hot with a last minute entry for Classic Film and TV Corner’s “Discovering Classic Cinema Blogathon.” I actually saw this blogathon announced awhile back and forgot to enter it. Oops. This is also my first opportunity to type something substantial using my new laptop that my husband got me for Christmas! Woohoo. My introduction to classic film didn’t come via the usual routes. I’m not old enough to have seen any of these movies in the theater during their original run. The first movie I saw in the theater was Disney’s The Little Mermaid at the age of 5 in 1989. Apparently I saw a re-release of The Aristocats in 1987 when I was 3, but according to my mom it did not go well and I did not see the whole movie. Lol. I traumatized my parents enough that it was 2 years before I went back. Having grown up in Salem, OR during the mid-to-late 80s through the early 00s, there wasn’t really any opportunity to see the classics in repertory theaters, as Salem doesn’t have any. While I did watch the annual TV viewings of The Wizard of Oz, and had secretly seen Psycho and The Birds despite my mom not wanting my sister and I to see them (my dad rented them while she was out of town), these did not ignite my love of classic cinema.

I miss 90s Nick at Nite!

One evening in 1994, 10-year old me was flipping channels and came across Nickelodeon’s evening programming, something called “Nick-at-Nite.” For the record, 90s Nick-at-Nite was one of the greatest things ever and I really wish it would come back, but I digress. Anyway, I was instantly sucked in by the colorful graphics, catchy jingles and fun animation that once graced the evening Nickelodeon block. A voiceover came on screen and announced that a show called I Love Lucy was coming up on the schedule. I honestly do not recall if I’d ever seen or heard of I Love Lucy prior to this moment, but I do know that it was not something I watched regularly. The now-familiar I Love Lucy theme song started, the hearts on satin appeared with the cast’s names: Lucille Ball, Desi Arnaz, Vivian Vance, and William Frawley. I still remember the first episode I saw, “L.A. at Last!” with William Holden guest starring. At that moment, I had no idea who the cast members were, let alone William Holden.

I was instantly transfixed by Lucy’s antics. In “L.A. at Last!,” Lucy decides that she and the Mertzes need to find the “celebrity watering hole,” where the stars all gather at the same place, thus saving Lucy time in having to track them down one-by-one. Bobby the Bellboy suggests that the group visit Hollywood’s famed Brown Derby restaurant–a well known hotspot for celebrities. As an aside, I will forever be sad that I cannot go to the Brown Derby, nor can I go to 99% of the famous Hollywood nightclubs of the 30s-50s. No Ciro’s or The Mocambo for me. Anyway, while at the Brown Derby, Lucy, Ethel and Fred are spotting celebrities left and right. We hear multiple celebrities paged to the telephone: Cary Grant, Gregory Peck, Walter Pidgeon, Ava Gardner. Lucy and the Mertzes see each and every one of them (offscreen) get up for the phone. Ethel also manages to offend Eve Arden in the neighboring booth by asking her to identify a caricature of herself as either Judy Holliday or Shelley Winters. Lucy for her part, is in awe of Ethel. “You touched her!” Lucy says, much to Ethel’s dismay at her faux pas.

The greatest day of Nick at Nite’s annual Block Party Summer.

Then, big star William Holden sits down in the booth next to Lucy and the Mertzes. Ethel is immediately starstruck and gets Lucy’s attention. Lucy catches a glimpse of Holden in the booth and is swooning. Being the creeper that she is, Lucy can’t stop staring at Holden, making him very uncomfortable in the process. Lucy’s encounter with Holden at the Brown Derby culminates with her tripping the waiter and causing him to dump a cream pie all over Holden’s head. Later, Holden meets Ricky at MGM and offers to give him a ride home to his Beverly Palms Hotel suite. When Ricky tells Lucy he’s brought a big star home with him, Lucy is overjoyed, until Ricky reveals the big star’s identity. Frantic, Lucy puts on a ridiculous disguise which includes large black cat eye glasses, a scarf to hide her hair, and a big putty nose. The scene that follows is hands down the funniest moment of the entire series (in my opinion). The look on William Holden and Desi Arnaz’ faces when Lucy turns around after “fixing” her putty nose is hysterical. How lucky was I to have this be the first episode of I Love Lucy that I ever saw?

I was hooked on I Love Lucy from then on, watching it at 8:00pm every night–except on Saturdays, I Love Lucy started at 10:00pm. On “Whole Lotta Lucy” Saturdays, Nick-at-Nite showed two episodes of I Love Lucy, followed by an episode of The Lucy-Desi Comedy Hour. Every episode of The Lucy-Desi Comedy Hour featured a different guest star. With the exception of Fred MacMurray, I didn’t know who any of the guest stars were. I also knew very few of the I Love Lucy guest stars, with the exception of John Wayne, Orson Welles, and Bob Hope. As a kid, I always figured that these were people who “were famous at the time.” Lol.

The look on William Holden’s face when Lucy turns around after “fixing” her nose is the funniest scene in the entire series.

Anyway, my family and I were also avid library goers, spending approximately one Sunday afternoon a month perusing the stacks. Now fully obsessed with I Love Lucy and Lucille Ball, I checked out each and every book about her in the library. I read multiple biographies about her, Desi, Vivian Vance, and anything I Love Lucy-adjacent. From these books, I learned that Lucille Ball had a fairly extensive film career and discovered that my library had a large selection of “The Lucille Ball Signature Collection” VHS movies. I watched each and every one. At the same time, my parents’ cable package had just acquired a new channel, the recently launched TCM. Every Sunday, I would find the new TV guide supplement in the newspaper and comb through it, looking to see if any Lucille Ball films or documentaries were scheduled that week. I’d always check PBS, A&E’s Biography program, TCM and AMC (when it showed old films).

From Lucille Ball’s film career, I was introduced to a myriad of different stars who quickly became favorites of mine. Through Lucy’s film, DuBarry Was a Lady, I learned about Gene Kelly. Because of my interest in Gene, I watched Singin’ in the Rain and The Pirate. ‘Rain’ introduced me to Debbie Reynolds and ‘Pirate’ introduced me to Judy Garland, who I was aware of through The Wizard of Oz, but hadn’t seen her in anything else prior. Through Judy, I learned about Fred Astaire (Easter Parade), which led me to Ginger Rogers. Rogers I’d seen before as she’d appeared with Lucy and Katharine Hepburn in Stage Door, which I’d borrowed from the library. From Stage Door, I recognized Eve Arden from the episode of I Love Lucy I’d seen. I continued on this path of constant discoveries and am still on the path somewhat, except that I’m more familiar with all the actors and know that the ones who appeared as guest stars on I Love Lucy weren’t just people who were famous at the time of I Love Lucy’s production era.

Cornel Wilde is no longer known as “Cornel Wilde is in the penthouse!” (I Love Lucy, “The Star Upstairs”). He’s a co-star in the excellent Leave Her to Heaven with Gene Tierney and he’s great in The Big Combo, his film being promoted on his episode of I Love Lucy. Charles Boyer isn’t just “LUCY! I love you, rawrrrrr” ((I Love Lucy, “Lucy Meets Charles Boyer”). He’s Ingrid Bergman’s terrifying husband in Gaslight, or the man who woos Olivia de Havilland in Hold Back the Dawn. Boyer is the man who arranges to meet Irene Dunne at the top of the Empire State Building in Love Affair. Unbelievably, I also didn’t know anything that William Holden did aside from being hilarious in I Love Lucy. I finally saw him in Sunset Boulevard and was blown away. After having seen him in so many films now, I can definitely say that Holden was a bona fide superstar.

CORNEL WILDE IS IN THE PENTHOUSE! CORNEL WILDE!

From reading all the library books about Lucille Ball and her film career, I learned that she made it a point to hire her friends from the movies when she had an opportunity to do so. The film friend of hers who benefitted the most from this is of course, William Frawley, who is now a legend in his own right for playing the irascible Fred Mertz on I Love Lucy. Having seen a good amount of classic films now, Frawley is everywhere. He plays Errol Flynn’s boxing promoter, Billy Delaney, in Gentleman Jim. He also plays a cop in Flynn’s Footsteps in the Dark, and Deanna Durbin’s Lady on a Train. He is also in the perennial Christmas classic, Miracle on 34th Street. Frawley had called up Lucy’s husband and Desilu Production president, Desi Arnaz, and asked for the job of Fred Mertz. CBS was hesitant to take a risk on the alcoholic Frawley, but Lucy and Desi prevailed and Frawley is now a television legend.

I find myself pointing out I Love Lucy characters in various classic films. Elizabeth Patterson who played Mrs. Trumbull is everywhere in classic film. She makes a memorable appearance as Fred MacMurray’s Aunt Emma in Remember the Night. Charles Lane is another character who pops up everywhere He appears as Lucy’s typing instructor in Miss Grant Takes Richmond (also co-starring William Holden). He also appears in uncredited roles in a million excellent pre-code films such as: Blonde Crazy, Employees’ Entrance, 42nd Street, Golddiggers of 1933, She Had to Say Yes, and Blondie Johnson. He made multiple appearances in I Love Lucy: the expectant father (I always say “nine girls” when I see him in a movie), the passport office clerk, the man conducting auditions in the episode where Lucy has to tell the truth for 24 hours, and he plays the Ricardos business manager, Mr. Hickox. Allen Jenkins, has a memorable role in an episode of I Love Lucy playing a police officer who apprehends “Sticky Fingers Sal” and “Pickpocket Pearl” (Lucy and Ethel). Jenkins was almost a mainstay in Warner Brothers films, playing the sidekick to the male lead. He’s in Dive Bomber, Footsteps in the Dark, The Perfect Specimen, all with Errol Flynn. He also supports Humphrey Bogart in Dead End, Racket Busters, and the horribly named The Amazing Dr. Clitterhouse. I even spotted Mr. Martinelli, owner of the pizza restaurant where Lucy works for one episode, as the villain in Marked Woman with Bogart and Bette Davis!

To this day, I Love Lucy and Lucille Ball are still my favorites. I also love Classic Film and I just love how well my favorite television show and my favorite era of filmmaking are so closely intertwined.

This single photo still from Stage Door captures my intertwined love of classic film and I Love Lucy. Lucille Ball, center, is flanked by Katharine Hepburn on the left and Ginger Rogers on the right.
Categories
Blogathon Favorite Classic Movies (Pre-1980) Favorite Performers

Van Johnson Blogathon- Van’s Friendship with Lucille Ball and Desi Arnaz

On May 2, 1955, Van Johnson appeared as himself in “The Dancing Star,” an episode of I Love Lucy. I Love Lucy was the pioneering and now-iconic television sitcom starring his old friends, Lucille Ball and Desi Arnaz. In this episode, Lucy’s character, Lucy Ricardo, finally realizes her dream of show business success. Van Johnson is appearing in a show at the hotel where the Ricardos and Mertzes are staying while Ricky (Desi) makes his film debut. Van’s partner is sick and Lucy ends up getting the chance to fill in. In this episode, Lucy Ricardo is finally given the opportunity to perform in a musical number where she doesn’t screw it up, whether purposefully or inadvertently. For a more detailed synopsis about “The Dancing Star,” click here.

Van Johnson, front left, watches as Frances Langford rallies the co-eds at Pottawatomie College in Too Many Girls.

Van Johnson’s relationship with Lucille Ball and Desi Arnaz did not start with I Love Lucy. He actually made Desi’s acquaintance first back in 1939 on Broadway. Desi had recently arrived in New York City as part of Xavier Cugat’s touring orchestra. Previously, he’d lived in Miami after emigrating there from his birthplace of Santiago de Cuba, Cuba. Desi had been performing as part of the Siboney Septet. He was discovered by Cugat and hired as a singer and conga drum player. Desi’s natural charisma and talent as a showman led to him forming his own orchestra. He was discovered by director George Abbott who wanted to cast Desi as Manuelito, the Argentinian football player. Van was cast in the same play as a college student and also as an understudy for the three male leads. He later understudied Gene Kelly in the Broadway production of Pal Joey which eventually led to Kelly’s discovery and subsequent Hollywood stardom.

Desi Arnaz #24 top left and Van Johnson #41 bottom center, appeared together in the film adaptation of Too Many Girls.

In 1940, Van came out to Hollywood to appear in the film adaptation of Too Many Girls. Van’s role is very small. He has an uncredited role as a fellow college student and appears as part of the chorus in some of the musical numbers. Van is near Lucille Ball in the big celebratory conga number (led by Desi Arnaz and Ann Miller) at the end of the film when Pottawatomie wins the big game. Watch Lucy screw up the choreography, she very noticeably comes in early or late in every single one of the moves. However, Van’s role in Too Many Girls did not lead to any big breaks. Disenchanted, he was ready to return to New York and back to Broadway where he had experienced more success.

However, before Van left for New York City, he had lunch with Lucy at Los Angeles’ famed Chasen restaurant. She introduced him to MGM’s casting director who just happened to be sitting at a nearby table. This led to a series of screen tests at many of the big studios. He ended up scoring a $300/week ($5452/week in 2022) contract at Warner Brothers. Van made his debut as a leading man in 1942’s Murder in the Big House opposite Faye Emerson. Unfortunately for Van, this contract did not lead to big success at Warner Brothers and his contract was dropped after six months.

Irene Dunne, Spencer Tracy, and Van Johnson in A Guy Named Joe.

Eventually Van was signed to MGM where his friend, Lucille Ball, had recently signed with after leaving RKO. Van’s big break was in the 1943 film, A Guy Named Joe, which starred Spencer Tracy and Irene Dunne. During production, Van was in a car accident which left him with a metal plate in his forehead and numerous scars on his face. For most of his career, Van would hide his scars under heavy makeup. However, in 1954’s The Caine Mutiny, he opted to not wear the heavy makeup. His large forehead scar is prominently displayed in that film. MGM wanted to replace Van in A Guy Named Joe, but Tracy advocated for him. Thanks to Tracy, Van became a star after their film was a big success at the box office.

Van continued to appear in one hit film after another. In 1946, Van appeared with his friend Lucy in Easy to Wed, a remake of the 1936 hit, Libeled Lady. Van took on the role of Bill Chandler, which was played by William Powell in the original film. Keenan Wynn, Lucille Ball and Esther Williams take on the roles played by Spencer Tracy, Jean Harlow, and Myrna Loy, respectively. Bill Chandler is hired by Warren Haggerty (Wynn) to marry his girlfriend Gladys (Lucy) and then romance and woo Connie Allenbury (Williams), a socialite who is suing Warren’s newspaper for a large sum of money after they publish a false story about Connie being a homewrecker. To save the newspaper from financial ruin, Warren wants Gladys to charge Connie with alienation of affection after word gets about Connie’s romance with her husband, Bill. Curiously enough, perhaps in an instance of life imitating art, Keenan Wynn’s wife, Evie, married Van Johnson on THE DAY (!) of their divorce.

Van Johnson and Lucille Ball in Easy to Wed.

Easy to Wed is not nearly as good as Libeled Lady, but it is amusing. Lucille Ball is definitely the highlight and steps into Harlow’s shoes very well. Van asserts himself nicely as the straight man and is good at portraying the All-American young man. In the late 1940s and 1950s, Van continued to appear in films in every genre from war to film noir to musicals to comedy. At the time of his 1955 appearance in I Love Lucy, Van was at the height of his fame. In one of the episodes of I Love Lucy leading up to the big cross-country drive, Lucy asks her friend Marion Strong if she’d like Lucy to give a message to “the gang.” “The Gang” being Clark (Gable), Cary (Grant), or Van (Johnson), or Marlon (Brando)?” Later while the Ricardos are celebrating their wedding anniversary in Hollywood, Ricky name-drops Van and his wife Evie to a Hollywood newspaper about a (fake) party he’s throwing at the Mocambo. Van continued to appear in films and television. In 1968, he appeared in another film with Lucille Ball, Yours, Mine and Ours. Desilu had purchased the rights to the story in 1967, right before Lucy sold the studio to Paramount. Desilu had been founded in 1950 by Lucy and Desi. Desi retired in 1962 and sold his shares to Lucy.

Van Johnson, Henry Fonda, and Lucille Ball in Yours, Mine and Ours.

Van’s role in Yours, Mine and Ours is fun. He appears as Darrell Harrison, a fellow officer who works with and is friends with Frank Beardsley, played by Henry Fonda. Lucy appears as Helen North, a nurse who works in the dispensary at the base. Darrell thinks that Frank and Helen are perfect for one another, the only hitch being that Frank has 10 children and Helen has 8. To prove his point, he fixes Frank up with a young Hippie woman who is half Frank’s age and is very sexually aggressive. Frank is more modest and finds her sexual appetite off-putting. Darrell then fixes Helen up with a doctor who specializes in obstetrics and is at least half a foot shorter than she is. Darrell effortlessly brings the two characters together. For much of the rest of the film, he is used for comic relief and is delightful.

Van Johnson in Here’s Lucy in 1968.

Van continued to work with Lucy. He appeared as himself during the first season of her third sitcom, Here’s Lucy, in 1968. In the episode, Van plays himself and plays a Van Johnson doppelganger. In the episode, the Van Johnson doppelganger and Lucy (as Lucy Carter), talk about Yours, Mine and Ours. The fake Van Johnson, imitating the real Van Johnson, says that he loved working with the “kooky redhead.” Lucy Carter says that she thought that she (Lucille Ball) was much too young for Henry Fonda. Later, Lucy Carter compliments the real Van Johnson on his appearance in The Romance of Rosy Ridge, which was the film debut of Janet Leigh. Eventually, Lucy remarks that she was glad Van was court-martialed in The Caine Mutiny after he refuses to go along with her schemes.

Van and Lucy continued to appear in various specials together and remained friends. After Ball’s passing in 1989, Van continued to give interviews and appear in various documentaries and retrospectives about Lucy and Desi. He was one of the interviewees in PBS’ American Masters episode about Lucille Ball, “Finding Lucy.” It is apparent that Lucy, Desi, and Van all held each other in great esteem. It is obvious through their professional and personal collaborations and the way in which Van continued to talk about his friends long after their respective passings. Van Johnson passed away in 2008 and it is nice to think that he is now back with his friends.

“They (Lucille Ball and Desi Arnaz) were soulmates. They knew it. The whole world did.”

“I am the luckiest guy in the world. All my dreams came true. I was in a wonderful business and I met a lot of great people all over the world.”